Chrissy’s practice incorporates viscous materials and fluid ways of working. Embracing physical performance and performativity of objects and situations, she loves working with various materials such as liquid latex, mesh, honey, spit, hair, dough, and apples, which she will play with through biting, containing, stabbing, pressurising, mixing, etc.

Exploring inside/outside, disgust, corporeality, and feminisms, Chrissy enjoys disruption of space and narrative, and is mightily obsessed with mouths. Text and language often slide into her playful experimentation which does not seek definitive answers but feeds from asking questions and pushing at provocations.